Multi-Club Competition MAY TBA
Boston, Gateway and Stony Brook Camera Clubs
All members of the Boston, Gateway and Stony Brook Camera Clubs are invited to participate in the friendly 8th Annual Multi-Club Competition to be hosted online on May TBA
Dates:
· Image creation: Apr 1, 2026 thru Mar 31, 2027
· Members submit images online by: TBA (Competitions > Submit Images to a Competition)
· Member voting starts: TBA
· Member voting ends: TBA
· Selection committee submits to judges: TBA
· Competition: TBA
Members may choose to submit two digital photographic images in any or all of the eight categories detailed below.
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Category
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Definition
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1. Cars
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They’re everywhere, and we need them, yet we often take them for granted. Cars can be stylish, sexy, rugged, or very plain. They can be looked at from a number of different perspectives – standing still, in motion, picking up or discharging passengers. They can be viewed from different angles – a headlight, a menacing looking grille, sharp pointed tail fins, or a meticulously detailed engine compartment. How do you see this fixture in our landscape? That’s what we’re looking for here. It’s ok if people or other objects are present in the image, but a car or cars must be the primary subject.
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2. Colors in Nature
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It might be a brilliantly colored rare bird like a Painted Bunting, or a colorful fall foliage scene, or those same fall colors reflected in water, or who knows? Nature displays its colors in many ways – let’s see your interpretation of the beauty all around us. One thing - please, this is all about nature, so no artificial coloration or over-saturation.
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3. Around the Table
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The table holds a vital role in creating community. It invites us to engage. It encourages openness, vulnerability, and interaction.
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4. Through the Looking Glass
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This theme uses glass to explore seeing the world from an altered perspective. The presence of glass must be immediately and unmistakably clear in the photograph — whether through windows, mirrors, or other transparent surfaces — and the glass must have the effect of blurring the line between reality and illusion, adding a dimension to your visual storytelling. It’s important to move beyond clichéd or overly familiar reflection images. The goal is not simply to show a reflection, but to use the glass intentionally to transform, distort, layer, or reframe the story. The resulting images offer a sense of mystery, wonder, and multiple layers of interpretation.
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5. Long Exposure
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Long exposures convey the passage of time within a single frame, transforming motion into something fluid, atmospheric, or abstract. Rather than freezing a moment, these images reveal what the eye cannot fully perceive—softened water flowing like silk, clouds stretching across the sky, lights tracing invisible paths, or human movement dissolving into ghostly suggestion. Long exposure images should evoke mood and continuity, emphasizing contrast between stillness and motion. Static elements often anchor the composition, while moving elements create texture, rhythm, or a sense of quiet transformation. The result may feel serene, surreal, or even otherworldly, inviting the viewer to experience time not as an instant, but as a lingering presence.
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6. Silhouette
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This all about storytelling through shape, contrast, and mystery. Photographs in this category should emphasize the striking outline or shape of a subject set against a brighter background. The subject is typically rendered as a dark, featureless form, with little to no visible detail, allowing its shape and relationship to the surrounding light to convey the image’s impact. Strong contrast, clean edges, and a clear, recognizable subject are essential. The essence of a silhouette image lies in its ability to communicate mood, drama, mystery, or storytelling through form alone rather than detail.
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7. Geometry
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There is hidden geometry all around us. Photographs that capture this should feature strong geometric shapes; clean lines, triangles, circles, squares, rectangles, spirals, etc. that are created by architecture, nature, shadows, everyday objects, or urban environments. Geometry should be the main subject.
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8. America at 250
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We are looking for photographs that capture the spirit of America at 250 years old; photos portraying the celebration of our country by blending founding ideals with contemporary life
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Members from the clubs will be assigned to either Class A (advanced) or B (beginner and intermediate) in Multi-Club to give all photographers a chance to compete fairly with others at a similar level of experience and skill. Next April, members will have an opportunity to vote for images to be selected for the competition. A Selection Committee will then select a single final image in each category and class to compete in the competition. Only one image per member may be submitted to the judges, allowing 16 members from each club (8 categories x 2 classes) to compete. The methods for selecting final images and for assigning members to competition classes will be at the sole discretion of each club.
Multi-Club will once again be judged by a distinguished panel of three judges independent of the clubs. The judges will offer their comments on all finalist images, especially focused on stressing each image’s impact in communicating the category definition. Awards will be given to the best image in each class/category based on the judges’ rankings. Club awards will be given for best total placement across all categories in Class B, Class A and Overall. Finally, at the end of the competition, the judges will also each choose a Judge’s Favorite for each class, across all categories, for a total of up to 22 individual awards (16 category winners and up to 3 across all categories in both Class B and Class A).